Photography">
random picks
Schaden.com - Projects * Publishing * for International Contemporary Photography
Schaden.com * Photobook Library 1998-2012
Impressum
Datenschutz
Thomas Kern
A drug free land
SC, 19,5 x 25,5 cm., o.pp.
Edition Patrick Frey 2010
random picks
Julian Germain
For Every Minute You Are Angry You Lose Sixty Seconds Of Happiness
Heinrich Riebesehl
Agrarlandschaften
Paolo Pellegrin
New York
Candida Höfer
Räume
Wolfgang Zurborn
Dressur real
Sarah Moon
Zufällige Begegnungen
Photographien
Stephanie Sabatier
Heimat
Bill Barrette
Big City Primer
Reading New York at the End of the Twentieth Century
Lee Friedlander
At work
Ewald Hoinkis
Fotografien 1924-60
Aura Rosenberg
Berliner Kindheit
Horst Haman
One Night on Broadway
Daniela Rossel
Ricas y Famosas
Andrea Stultiens
Kerkdorp / Polderdorp
Sint Odilienberg / Kreileroord
Kyungwoo Chun
Photographs, Video performances
Berenice Abbott
Changing New York
Christopher Wool
East Broadway Breakdown
Willie Doherty
Extracts from a File
Edward Burtynsky
China
Ken Schles
The Geometry of Innocence - Special Ed.
David Farrell
Innocent Landscapes
Toni Rubio
12" Sleeves. Disco Graphics
Richard Misrach
The Sky Book
Tseng Kwong Chi
Ambiguous Ambassador
Toshiko Okanoue
Drop of Dreams
works 1950-1956
Michael Danner
Japan
Mitch Epstein
Work
Dirk Alvermann
Ich Liebe Dich
Deutsche Fotografie. Macht eines Mediums 1870-1970
Yutaka Takanashi
Photography 1965-1974
Robert Polidori
Zones of Exclusion. Pripyat and Chernobyl
Richard Renaldi
Fall River Boys
Serge Clément
Sutures. Berlin 2000 - 2003
Masafumi Sanai
Message
Naoya Hatakeyama
Naoya Hatakeyama
Stefan Heyne
The Noise
Erich Salomon
Mit Frack und Linse durch Politik und Gesellschaft
Photographien 1928-1938
The Century of Korean Photography
Images from the Land of Morning Calm
Männerfotografien-Box
John Davies
Cross Currents
Gisele Freund
Die Poesie des Portraits
Andreas Mueller-Pohle
Interfaces
Foto + Video 1977-1999
Antoine D´Agata
Vortex
Shigeichi Nagano
Distant Gaze
Nina Korhonen
Minne. Muisto. Memory
Naoya Hatakeyama
Lime Works
Susanne Lange
kurzdavordanach
Gegenwart als Zwischenraum