Photography">
random picks
Schaden.com - Projects * Publishing * for International Contemporary Photography
Schaden.com * Photobook Library 1998-2012
Impressum
Datenschutz
VERY. Styleguide London
SC, 10 x 15 cm., 94 pp.
VERY 2003
random picks
Christer Strömholm
Christer Strömholm 1918 - 2002. On verra bien
Masayuki Yoshinaga
Bosozoku
Richard Copeland Miller
Passage: Europe
René Burri
Fotografien
György Lörinczy
New York, New York
Jeff Wall
Space and Vision
Bollywood - Das indische Kino und die Schweiz
Roni Horn
This is Me, This is You
Martin Parr
Last Parking Spaces
Götz Diergarten
Gouville
Aaron Rose
Beautiful Losers
Contemporary Art and Street Culture
Esko Männikkö
Mexas
Hans-Peter Feldmann
Foto, Praha
Tomoko Sawada
School Days
Lewis Baltz
Nevada
The Helsinki School. Photography by TaiK
Highrise. Idea and Reality
William Eggleston
For now
Rineke Dijkstra
Die Berliner Zeit
Ernesto Bazan
Cuba
Hans van der Meer
Bhutan : Montserrat. The other Final
Günter Blum
Akt
Jonathan Green
American Photography
A Critical History 1945 to the Present
Paul Schimmel
Sigmar Polke
Photoworks: When Pictures Vanish
David Hockney
Cameraworks
Cary Markerink
Memory traces
Rob Hornstra
Roots of the Rúntur
Goto Go
Day by Day
Doug Aitken
A-Z Book (Fractals)
Georgischer Frühling. Ein Magnum Tagebuch
Exit #8
Censurados/Censored
Mario Testino
Alive
Foreword by Gwyneth Paltrow
Igor Kostin
Tschernobyl Nahaufnahme
Max Pam
No hope, no fear
Kailash (Tibet), 1999
Erwin Olaf
Rain / Hope
Thomas Flechtner
Bloom
Noorderlicht
Country Life in the Urban Age
Larry Clark
The Perfect Childhood
Wiebke Loeper
Hello from Bloomer. Viele Grüße aus Wismar
Useful Photography No. 004
The Helsinki School 3. Young Photography by TaiK
Andreas Grusky
Josef Koudelka
Invasion 68 Prag
Ryuchi Kaneko
Japanese Photobooks of the 1960s and '70s
feat. an interview with Daido Moriyama
Thorsten Scheid
Fotografie als Metapher
Zur Konzeption des Fotografischen im Film
Michael Kenna
Japan
Samuel Bourne
Sieben Jahre Indien - Photographien und Reiseberichte 1863-1870
Alfons Mucha
Edward Weston
Die Form des Aktes