Photography">
random picks
Schaden.com - Projects * Publishing * for International Contemporary Photography
Schaden.com * Photobook Library 1998-2012
Impressum
Datenschutz
Anne Wilkes Tucker
Brassai: The Eye of Paris
HC, 25 x 33,5 cm., 368 pp.
The Museum of Fine Arts, Houston/Abrams 1999
random picks
Max Regenberg
Power is nothing without control
Plakat und öffentlicher Raum. Eine fotografische Langzeitstudie
Koos Breukel
Cosmetic View
Van Zoetendaal 2006
Kent Klich
Picture Imperfect
The Cardboard House
MSF Peru : End of a Mission / Action on Aids
Mined ...
over Matter, Issue 2
Jane Livingston
The New York School
Photographs 1936-1963
Jeroen Kramer
Room 103
Matthew Barney
Cremaster 3
Nicolas Descottes
Ed van der Elsken
Hongkong
Andy Warhol
Photography
Candida Höfer
Hamburg
Lars Grönwall
En Face
Martha Rosler
In the Place of the Public: Observations of a Frequent Flyer
An der Stelle der Öffentlichkeit: Beobachtungen einer Vielfliegerin
Daan van Golden
The Pencil of Nature
Martin Parr
From Our Home to Your House
Kim Bouvy
Phantom City
a photo novel
Fischli & Weiss
Fotografias
Dutch Eyes. A Critical History of Photography in the Netherlands
Andreas Trogisch
Technik
photo folder #4 from 6 folders
Aymeric Fouquez
Nord
Carla van de Puttelaar
Anders Petersen
Dear Diary
Marnix Goossens
Deep Light
Serge Clement
Vertige - Vestige
Bunuel
100 years - 100 anos
Dominique Aubier
Fiesta in Pamplona
Andy Warhol
Paintings and Sculptures 1964 -1969
Wim Wenders
Einmal. Bilder und Geschichten
James Agee
Preisen will ich die großen Männer
Sally Mann
Immediate Family
Karin Elvarsóttir
mórar - naervidd
Joachim Schmid
Belo Horizonte, Praca Rui Barbosa
Ellen von Unwerth
Couples
Erika Billeter
Fotografie Lateinamerika 1860-1993
Canto a la Realidad
Edward Weston
The Last Years in Carmel
Claudio Hils
Archive_Belfast
Jean Baptiste Mondino
Déjà vu - Photographien
Boris Mikhailov
The Wedding
Josef Schulz
Übergang_2
Garry Winogrand
The Man in the Crowd
The uneasy streets of Garry Winogrand
Purple
Tristesse
Martin Parr
Signes des temps
Robert Lebeck
Vìs-a-vìs
Vorwort von Hans-Michael Koetzle