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Schaden.com - Projects * Publishing * for International Contemporary Photography
Schaden.com * Photobook Library 1998-2012
Impressum
Datenschutz
Joel Meyerowitz
Cape Light
Foreword by Clifford S. Ackley
Museum of Fine Arts, Boston 1978/81
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random picks
Gillian Wearing
Cornelia Kemp
Das zweite Gesicht - The other face
Metamorphosen des fotografischen Porträts - Metamorphoses of the Photographic Portrait
Matthiew Barney
The Cremaster Cycle
Bernd & Hilla Becher
Bergwerke und Hütten
Aaron Rose
Beautiful Losers
Contemporary Art and Street Culture
Olaf Martens
Frosty Fire
Wraparound
Paul Andriesse (Ed.)
Some Trees
Thomas Ruff
Machines / Maschinen
Lee Friedlander
The Desert Seen
Daido Moriyama
Shinjuku
Walter Peterhans
Fotografien 1927-38
Ed van der Elsken
Sweet life
Karianne Bueno
De Overkant. Amsterdam Noord
Julian Germain
Steelworks
Andreas H. Bitesnich
Woman
Will McBride
Situationen/Projekte
Ein Fotobuch
Oliver Sieber
Character Thieves
Pre-release one print special edition.
Jerusalem Exposure
Luc Sante
Evidence
Robert Capa
Retrospective
Matthew Sleeth
Roaring Days
Theresa Hubbard
No Room to Answer
Philip-Lorca diCorcia
A Storybook Life
Igor Chepikov
Rika Noguchi
The Planet: Noguchi Rika
Paolo Ventura
War Souvenir
Michael Sondern
Sinnliche Enthüllungen
Naoya Hatakeyama
Lime Works
America in Crises. Photographed by MAGNUM.
ext by Mitchel Levitas
Zana Briski
Walker Evans
American Photographs - Errata book #2
Rem Koolhaas
S,M,L,XL
Richard Kalvar
Earthlings
Daido Moriyama
Shinjuku 19XX - 20XX
Nakahira Takuma
Hysteric Six
Oliver Sieber
Character Thieves
Ute Behrend
Märchen / Fairy Tales
Sally Mann
Proud flesh
Hellen van Meene
Portraits
Victor Palla
Lisboa - Cidade triste e alegre
Re-edit 2009
Terry Richardson
Feared by Men, Desired by Women
David Bailey
NY JS DB 62
Yuki Onodera
Camera Chimera
Horst Haman
One Night on Broadway
Gudrun Kemsa
Moving Images
Michael Light
Bingham Mine/ Garfield Stack
Sophie Calle
Wahre Geschichten
Foto Ramblas
Dörte Eißfeldt
Pol
Keiko Nomura
Keiko Nomura: Italy, Sweden
In - between 6
Richard Billingham
Essay by Michael Tarantino